TWENTIETH CENTURY POETRY
| Module Tutor: | | | | M. Pugmire. |
| Module Credit Value: | | | 20 CATS points. |
| Recommended Prior Learning: | | Study of appropriate Level I and II modules |
Aims
To introduce the student to the work off some major poets writing in Britain in the first half of the twentieth century, and to encourage exploration of, and appreciation of, a wide range of other modern poetry, and especially contemporary and near contemporary poetry.
Indicative Content
Study of a selection of the poetry of Yeats, Eliot and Auden.
Study of the work of a range of other poets writing in this century, the poets in question to be selected by students taking the course; and/or a range of individual poems of special interest and value to students taking the course. Considerable attention will be paid to the variety of the poetry so studied.
Specific Texts:
Eliot: The Waste Land and Four Quartets
Yeats: Selected Poems from all Periods
Auden: Selected poems
Learning Outcomes
At the end of course, the student should be able to:
- Demonstrate detailed knowledge and understanding of a range of the poetry of Eliot, Yeats and Auden.
- Demonstrate an understanding of something of the special literary qualities that earn each of Eliot, Yeats and Auden high regard.
- Evaluate, and discriminate between, a range of modern and contemporary British poetry by other poets.
- Demonstrate an understanding of the special qualities of some of these other poets.
- Demonstrate any understanding of the complex relationship between method and achieved meaning and function in some twentieth century poetry.
- Analyse something of the relationship between the work of poets studied and the literary and cultural context in which they work or worked.
- Analyse something of the range of functions which have been served by twentieth century British poetry.
Teaching and Learning Strategies
Tutor-led study of selected work (by Yeats, Eliot and Auden), interspersed by student led discussion of work of other poets on the century. There will be a few lectures on background topics such as modernism.
Assessment Strategies
Either a 4000 word assignment considering general issues of twentieth century British poetry, or alternatively the submission of a body of the student’s own poetry accompanied by a discussion of the method adopted referring to the purpose and function of that poetry, plus a 3 hour examination in which the work of individual poets studied in the course will be commented upon.
Bibliography
Required Reading
Corcoran, N., English Poetry Since 1940, (Longman, 1993)
Martin, E.G., A Preface To Yeats (2nd Edition), (Longman, 1994)
Moody, D. Thomas Stearne Eliot : Poet, (CUP, 1994)
O’Neill, M. Auden, MacNeice, Spender: The Thirties Poetry, (Macmillan, 1992)
Ricks, C., T.S. Eliot & Prejudice, (Faber, 1994)
Smith, S., W.H. Auden, (Blackwell, 1985)
Stead, C.K., The New Poetic: Yeats To Eliot, (Hutchinson, 1975)
Recommended Reading
Baldwin, A. (ed.), Platonism & The English Imagination, (CUP, 1994)
Bush, R. (ed.) T.S. Eliot: The Modernist In History, (CUP, 1991)
Cookson, L. & Loughrell, B., Critical Essays on The Waste Land, (Longman, 1988)
Ellmann, R., The Identity of Yeats, (Faber, 1964)
Garratt, R.F., Modern Irish Poetry: Tradition & Continuity From Yeats To Heaney, (University California Press, 1986)
Lobb, E. (ed.), Words In Time: New Essays on T.S. Eliot’s Four Quartets, (Athlone, 1994)
McDairmid, L., Saving Civilisation: Yeats, Eliot & Auden Between The Wars, (CUP, 1984)
Mendelson, E., Early Auden, (Faber 1981)
Moody, D., The Cambridge Companion To T.S. Eliot, (CUP, 1994)
Schwartz, S., The Matrix of Modernism: Pound, Eliot & Early Twentieth Century Thought, (Princeton UP, 1985)
Stallworthy, J., Yeats: Last Poems, (Macmillan, 1968)
Return to Level Three Modules